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Posts Tagged ‘editing fiction’

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This is a story about a book, well, three books really, and a boxed set, and dreams of riches and infamy, and it goes like this:

Once upon a time we had an idea, and another one, and another one, so we wrote ’em down and turned ’em into books, and people bought ’em, well, some people bought some of ’em, and I’m guessing they would have bought all of ’em if we had kept the dream alive.

But

Editing needed to be done

And time passed

And like all once upon a time stories, our dream disappeared into Netherland with Peter Pan and stayed a childhood fantasy forever

Until one day, reality hit. Dreams only become reality if you do the work.

Or, in Diver Smurf’s case, learn to swim.

Merinda’s Gold, Book 3 of our Cracker Mystery Series, is alive and swimming towards publication.

Anyone wanna buy a boxed set?

 

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To prologue or not to prologue, that is the question…our middle grade novel, Dirt Busters, A Cracker & Gilly Mystery, was originally called, Old Bones, and was based on the bones of a WW1 aboriginal soldier and and an ancient burial site. The site was being turned into a housing development and Cracker and the gang were determined to stop this happening.

Despite rewriting the preface to our story a zillion times, I made an executive decision to cut it. That’s the advantage of being executive but my co-author is still mad…and that’s okay because our novels are based on sibling squabbles, and our co-aurthorship has more than its fair share – yep, exactly like Cracker and Gilly, and yep, Gilly always wins, sort of, because her creator is the one who makes the executive decisions in our co-authoring team. And Cracker always saves her because that’s what big brothers do.

And being an Indie author team, I figure we can always put the prologue back in one day, and change the name back to Old Bones…but here are the reasons I made the decision I did (yeh, I know, self-justification is no justification:))…

1. My beta readers – Yr 5 & 6 kids – wanted to get straight to the action

2. I’ve been following the prologue/no prologue debate for years and it seems the no prologue team always have good reasons not to prologue

3. I wasn’t confident of our material – I don’t know a lot about our aboriginal history

4. With the right research and help I can always include it in a future edition

5. It’s a great talking point in my writing workshops and my students always engage (maybe I’ll put it in our non-fiction writing book as a discussion point for writers)

6. I went with the old maxim, if in doubt leave it out…

7. Our publisher agreed with me

But I still like our prologue…as my co-author says, it has just the right amount of spookiness…what do you think?

 

PREFACE

 

THE night air was thick and pungent with wood smoke emanating from a fire built high above the tide line where a group gathered under the light of the full moon recently risen from the west.

It was a night like no other Tanjatjiri could remember and the thought made him uneasy. He sniffed at the air as he watched the men of the Wulbunga people dance the corroboree.

Namittitnan, middle-aged and spry, danced to the rhythm of the night, as did his son,Nappittitan, beside him. Karipcoycae and his son, too, danced and Tarijatjiri momentarily forgot his worries as his gaze rested on his own young son who swayed at the feet of his elders, ready to take his place amongst them although he was only seven.

These people looked up to Tarijatjiri, the men and boys of the Wulbunga, and as their leader, Tarijatjiri took his duties seriously, which was why on this night of dance he stood to one side and tried to understand what it was that made him uneasy.

Ochre outlines painted onto the skins of the dancers, with feathers attached by animal fat long horded, showed the care each man took to present himself to the “old ones”.

From his vantage Tarijatjiri could see the sea, the sky, and the land where the men danced and as he gazed around him there was nothing amiss. Yet still he was uneasy. The melodious ‘r’ rurr r’ rurr r’ rurr’ of the dozen didgeridoos played in time to the pounding of the surf as it crashed onto the beach added to his unease.

As the dancers clapped the flats of two nulla-nullahs together, the sharp ‘slap slap’ emphasizing the driving beat, Tanjatjiri turned back to the shadows where the sea met the sky and frowned.

And from deep within him came a guttural cry.

He began to run, his words of warning unable to compete with the ancient rhythms around him, of pounding feet and the fury of clapping wood sticks. It was the crescendo of the tribal dance and as Tanjatjiri ran his brain was filled with the sounds of the dancers, but still he heard it, above the sounds, louder than the sea and the earth combined, and he knew that his warning would come too late.

As the men of the Wulbunga tribe danced to a rhythm passed down from father to son for as long as Tanjatjiri could remember, the big wave struck.

 

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